1950s blue taffeta and velvet dress from Sneaky Tiki Boutique in Long Beach.
From time to time I like to raid my favorite vintage fashion shops to see what I can find. Since I’ve lost enough weight to fit into common 1940s, 1950s, and 1960s shapes and sizes, the endeavor’s become easier and tons more fun! On a foray to Long Beach’s Fourth Street vintage district, I discovered a gorgeous taffeta and velvet dress at Sneaky Tiki Boutique (left).
On my last visit to the Haight in San Francisco, I found several beautiful pieces at my two favorite stores, Relic Vintage and La Rosa. Both shops feature beautifully-curated selections in wearable women’s sizes up to at least 34″ in the waist. The staff is super-helpful at both stores and the quality is amazing! Continue reading “Outfits of the Month: August vintage fashion finds”
Save the SSUS! Support the SS United States Conservancy!
Everyone who knows me well knows that I’m a huge midcentury transatlantic liner fan. The SS United States – America’s merchant marine flagship and star of Disney’s Bon Voyage – is my favorite. Sleek, fast, modern, and as space age as sea travel will ever get, this 1950s wondership needs your help! Be like me and sponsor a piece of the “Big U” via the SS United States Conservancy’s Save the SS United States campaign! I chose part of the “U” in the “UNITED STATES” on the starboard bow. 😀 Save the SS United States!
“For Women Only! Take a ride on the Clairol Color Carousel. See yourself as a blonde, a brunette or a read head! Your friends will ask, “Does she… or doesn’t she?”
Those who’ve lived there will tell you that the “Berkeley Paths” quickly become an important part of life in the hills of Berkeley, California. The Berkeley Path Wanderers Association website presents maps, photos, and stories about the quaint pedestrian passthroughs that zigzag those hills.
Berkeley ‘s population grew rapidly in the early part of the century due primarily to the growth of the University of California, the extension of the Key System rail line from San Francisco in 1903, and the influx of refugees following the 1906 earthquake and fire. Traction companies were formed and bought large areas of undeveloped land in the hills to the north, northeast and south of the University campus, and platted residential lots which were sold individually to home-builders.
These new Berkeley neighborhoods (developed before the automobile became the common mode of transportation) included Claremont (1900), Northbrae (1907), Thousand Oaks (1911), and Berkeley View Terrace (1926). Due to the slope of the northeast and southeast hills, upper lots were relatively inaccessible. Pathways served as pedestrian transportation routes linking hill residents to rail lines, parks, schools, and as short cuts for neighborhood residents.
Some of you already know of my inordinate fondness for the Orchard Lane Steps, part of the path system off of Panoramic Way. It’s less than a block away from Memorial Stadium, just around the southern outside edge of Strawberry Canyon on Panoramic Hill. When I lived in Corner (yes, all the rooms have names) at the Alpha Omicron Pi House on Prospect, I had a full frontal view of the Orchard Lane Steps. The Bancroft Steps – which connected the end of Bancroft way to the stadium parking lot/Panoramic Way/Prospect above – was our daily route to and from campus from our house.
Kim Novak as "Madeleine" views the fictional "portrait of Carlotta" at the Legion of Honor's Gallery 6.
Yesterday was our Greater Bay Area Costumers’ Guild Falling for Vertigo: A Toast to Alfred Hitchcock’s San Francisco event. We had a wonderful time attending a guided tour of the Georgian portraiture at the Legion of Honor (an iconic Vertigo filming site), a nod to the fictional “portrait of Carlotta” that appeared in the film. Afterwards, we visited historic Fort Point, the location where “Madeleine” throws herself into San Francisco Bay, to explore the Civil War-era fort and behold the spectacular views of the Golden Gate Bridge and Marin Headlands. Our day ended with drinks and dinner at the Presidio Social Club (and for some of us, the Top of the Mark). Continue reading “Falling for Vertigo: 1950s Fashion and Alfred Hitchcock’s San Francisco”
Before the 2009-2010 BBC Emma miniseries came out – and before I’d even started this blog – my friends Vic and Laurel Ann of Jane Austen Today kindly asked me to do a quick piece about costuming in the three previous major adaptations of the novel: the 1971 BBC tv miniseries starring Dorin Godwin, the 1996 Miramax theatrical release starring Gwyneth Paltrow, and the 1996-1997 A&E/ITV movie starring Kate Beckinsale.
As his friend Bob (who initially forwarded the video) stated, every one of those guys knows exactly what he’s doing…
This is really awesome footage… A 1936 Pontiac assembly factory… Note,
automation was already in place, the workers lack any & all safety equipment, glasses & helmets: and they ALL know exactly what to do & it’s getting done.
Note also that when the body comes together with the chassis that it is in FULL trim! Interior, windshield, all glass etc., is already in place as it is dropped onto the awaiting rolling chassis. “AMAZING” Simplicity @ its best.
Note too, when the metal finishers are checking the sheet metal for minute & tiny flaws & defects, that they are wearing heavy leather work gloves. How would YOU like that repetitious job of placing ( 3 ) rivets in the ( 3 ) holes on the chassis for about 35 to 40 years?
Me! In Ionic chiton, performing one of Lady Emma Hamilton’s Attitudes (I forgot to take off my glasses!). In some printings of Friedrich Rehberg’s sketches engraved, this is called “Cleopatra Seduttrice.” It is probably based on artistic rendrings of Agrippina offering libations at the tomb of Germanicus (suggested by John Wilton-Ely and confirmed by me). There is a priestess statue from the macellum (marketplace) shrine in Pompeii that strongly informs this pose and in its restored state includes a libation bowl in one hand. It is sometimes referred to as Agrippina.
Because I love Greco-Roman antiquity, I needed to make myself a chiton. Because I’ve performed Lady Emma Hamilton’s famous, classically-inspired tableaux vivants twice in the last twelve years, I needed to make myself a chiton. Because chitons are awesome and I like them, I needed a chiton.
By this point in the blog post, you might be asking yourself, “What the heck is a chiton? Who is Lady Hamilton? And those “tableaux” thingies?” I know it sounds like a strange combination of ideas, but it’s honestly not as complicated as it seems. In fact, the chiton – a very simple women’s (and men’s!) garment originating in ancient Greece and widely used as a basic dress or underdress for women in Roman eras – is extremely easy to make and wear. But I’ll get to that in a second.
Emma, My Inspiration
Rehberg’s drawing of Lady Emma’s “Cleopatra Seduttrice” attitude, likely influenced by both Roman and modern (as in, Renaissance onward) renderings of Agrippina (or others) offering libations to the gods.
First, the Lady Emma part of the explanation. Our English Regency society puts on various events dealing with events and culture from the late Georgian period of British history. In the course of preparations for a ball honoring the great naval hero Lord Horatio Nelson, I somehow got roped into playing a role. And not just any role; I would be recreating Lady Emma Hamilton’s famous “attitudes.” Lady Emma performed these silent tableaux from 1787 through the 1790s and into the early 19th century, sparking several high-profile imitations and influencing modern dance and other forms of performance art over a hundred years later. Now, this was 1999 and I was crazy busy trying to finish my last year of law school. The last thing I probably needed on my plate was a performance of some sort, but for Emma Hamilton I made an exception.
Restored priestess sculpture from the macellum (marketplace) shrine in Pompeii. Sometimes referred to as Agrippina, her pose is similar to Rehberg’s drawing of Emma.
