Edith Head: Star Costumer

Edith Head
Edith Head in the 1970s.

This piece was originally written for the Greater Bay Area Costumers’ Guild’s Finery newsletter, to introduce our Vertigo-themed costume event on February 11, 2012.

Despite her long studio career and a stunning cache of major awards (including a record-setting 8 Oscars, the most ever for a woman, and 35 Oscar nominations), costume designer Edith Head is a star whose name isn’t readily recognizable to most people. Her work, however, is instantly familiar to almost everyone. She’s the woman responsible for the iconic fashions appearing in mid century classics such as Roman Holiday, To Catch a Thief, Vertigo, and Breakfast at Tiffany’s.

Head spent 43 years at Paramount, worked 14 years at Universal, and collaborated on various projects for other studios over the years, aggregating a portfolio of work totaling several hundred movies. “I do so many films that I would only like to send you work that is outstanding, or of importance to your collection,” she wrote in 1967 to the Wisconsin Center for Theatre Research, in response to a request to create an “Edith Head Collection” at the University of Wisconsin.

Her diverse collection of designs includes everything from period fashions to fantasy creations. Though she downplayed cutting-edge contemporary fashion’s influences on her work (“What is shown in Paris today is a dead duck tomorrow” she once said), Head was also in many ways a fashion trend setter. The popular demand for sarong-style dresses in the late 1930s and 1940s, for example, grew out of Head’s iconic designs for Dorothy Lamour in The Jungle Princess (1936). Continue reading “Edith Head: Star Costumer”

Outfit of the Day! Birthday Edition Part Two…

So I promised infos on my second birthday party outfit.  I didn’t get any great pictures from that night ( which was a fun evening on Boatel Queen Mary in Long Beach), but I can show you what I wore!

On Queen Mary, looking (ship)wrecked
On Queen Mary, looking (ship)wrecked. Yes, you can see my corset and bra and my arm looks like it's melting.
Trashy Diva 40s Dress
Trashy Diva 40s Dress - a slightly better view.
Trashy Diva 40s Dress
Trashy Diva 40s Dress - official shot.

My dress is the Trashy Diva 1940s dress in the Olivine Floral fabric.  The colors are perfect and the fit is just divine. I made a pretty purple magnolia hairflower to go with it. The white anchor necklace is also by Trashy Diva – perfect for dinner on a ship!  I didn’t wear the pictured white cardigan, though; instead, I added a light, short-sleeved, 1960s-style spencer jacket in a black jacquard fabric that I’d found at Lane Bryant ca. 2007.  A gorgeous vintage rose brooch (a gift from my friend Cynthia!) finished off the jacket perfectly.

 

Lane Bryant retro-style jacquard jacket with vintage brooch
Lane Bryant retro-style jacquard jacket with vintage brooch.

Fashion Crap: And I do mean CRAP – recent costumes…

October was kind of a sewing nightmare. I really, really hate sewing. Like, I’d rather stab myself with a rake than have to deal with the cutting, the pinning, the seamripping, the rumpled fabric (right, I don’t even OWN an iron)…yeah, can’t stand it.

Well, since none of my beautiful Regency wardrobe fits (still), I had to pull together an 1814-ish evening gown out of my trusty-dusty purple silk sari (not a very period color, I know) for the Bay Area English Regency Society’s Congress of Vienna Ball. I had a role – Princess Bagration, the White Pussycat and Naked Angel – so I needed something that looked lush. At any rate, the job’s not TOO bad for a rush. I didn’t have time nor a proper pattern to make period stays, so the silhouette’s not the best. Oh well.

For Halloween, I made myself a Patrick Nagel “Rio” outfit, perfect for “dancing on the sand.” This image was apparently the alternate cover image considered for Duran Duran’s legendary sophomore album.

More images in my photo album.

San Francisco’s Market Street, then and now…

Compare this footage taken from a Market Street cable car just days before the 1906 earthquake with a similar perspective from 2005!

From Flixxy:

This film, originally thought to be from 1905 until David Kiehn with the Niles Essanay Silent Film Museum figured out exactly when it was shot. From New York trade papers announcing the film showing to the wet streets from recent heavy rainfall & shadows indicating time of year & actual weather and conditions on historical record, even when the cars were registered (he even knows who owned them and when the plates were issued!). It was filmed only four days before the quake and shipped by train to NY for processing.  Amazing but true!

So much is different, yet it’s amazing to think how much the area hasn’t really changed.  There aren’t cable cars on Market anymore (unless you count the Powell turnaround), but Muni still operates vintage streetcars!  There is the Ferry Building, too, still acting as the beacon at land’s end.  And the modern bike rider who waves his cap at the photographer evokes some of the ebullience of the earlier footage.  Amazing how a simple, timeless gesture can echo the mannerisms of ages past.

Austen Pilgrimage to England, 1997

Clair de Lune…

This animation sequence was released as  the “Blue Bayou” segment in Walt Disney’s Make Mine Music (1946), one of several Walt Disney “composite” releases of the mid-late 1940s.  Originally, however, it was created to accompany Claude Debussy’s Clair de Lune as an additional segment for Fantasia.  Initially, Mr. Disney had intended Fantasia to be a fluid, changing concept, to which new pieces would be added with each re-release. For a number of reasons (the 1941 animators’ strike, WW2,…), that concept didn’t pan out (at least, not until Fantasia 2000…kind of). In 1998, the original version of Clair de Lune was restored and screened at the London Film Festival.