Marilee Caruso did the pretty hair and makeup and took the photos for our six-page feature. I didn’t think I’d be able to pull off an early-1970s look, but Marilee made it work and I ended up loving the results. She also shot Missy Maybe’s lovely cover set for the same issue!
I love Blade Runner. It’s my favorite neo-noir film, and one of the rare novel adaptations that’s at least as good as the original source material. So it shouldn’t come as a surprise that I recently cosplayed my favorite replicant character from the movie, Rachael, for a photoshoot with Marilee Caruso.
Marilee did the 1940s-inspired “Rachael” hair (yes, there are rolls present) and makeup, and we used her classic “film noir” set, brand-new lamps, and some neon-red lighting to get a 1980s-does-1940s-gritty-mystery look. I’m wearing the Mariette Jacket by Pinup Girl Clothing with the Bad Girl Pencil Skirt in faux leather from the Vixen by Micheline Pitt line and Re-Mix reproduction Babydoll pumps.
You can grab a copy of the magazine or a cover poster via Magcloud, and use code BF25 to get a discount (on these or any Magcloud publication) through 11/28/2022 (the actual discount varies by publisher and issue, btw). Note that I don’t make any money off of purchases direct from Magcloud, just the Tiki issue and posters (I have one mag copy left and a handful of posters if you want to help feed my pinup addiction. I mean, support me as I pursue this noble hobby! Ha!).
This one’s kinda meta, because my nom-de-pinup is Catherine Morland and I’m actually portraying Jane Austen’s heroine from Northanger Abbey, Catherine Morland, in the photo set. As she’s into gothic romances and horrid novels of all kinds, we have Catherine reading novels by candlelight in a spooky forestscape of her imagination. Eat your heart out, Emily St. Aubert!
Marilee also did the beautiful makeup and hair, which works well with the fashion aesthetic even though we intended it to be fantasy. The dress is by Kay Gnagey of Originals by Kay and is based on an original ensemble in the Metropolitan Museum of Art’s fashion collection. The Chantilly lace shawl is an antique, and the fan is from Amazon with a vintage silk ribbon from Etsy.
Marilee did the fabulous early 1960s makeup and hair (and lent me those awesome vintage earrings!), and I supplied my own clothes and vintage copy of the magazine. The playmate necklace (crystal pave bunny head) is a cheapie I got years ago on Ebay, the velvet dress is the olive green velvet Starlet Wiggle from the Vixen line by Micheline Pitt, and the shoes are my old reliable Christian Louboutin Piou-Piou patent stiletto pumps.
I was basically channeling one of my old Vampire: the Masquerade LARP characters, a dancer from Clan Toreador whom I named Lily after Lily Bart in Edith Wharton’s House of Mirth. Marilee did some very romantic Rachael-from-Blade-Runner-ish hair and makeup, and I wore one of my “Elisabeth” dressing gowns from Catherine D’Lish, a black lace bodysuit from Torrid, garter belt and stockings by What Katie Did, and a pair of signed Manolo Blahnik Campari pumps I got third-hand for like $35. Oh, and the fangs are one of two great custom pairs I got from Kaos Kustom Fangs.