My good friend Laurel Ann is conducting another superb themed event at her Austenprose blog, this time centered upon Jane Austen’s epistolary novella Lady Susan. From September 1-14, participate in a group read and enjoy insights from LA and her various guest bloggers.
I’m a huge, huge, huge 1964-65 New York World’s Fair fan. And on May 23, I finally got to visit the Mecca of NYWF fandom – CORONA PARK at Flushing Meadows in Queens! My good-natured friend Dasha accompanied me. In fact, she assisted me greatly by taking a few photos (See a galleryful of my Corona Park images here).
Here are a few pics of the Unisphere, the fair’s official symbol and the embodiment of the fair’s aim: Peace through [global] understanding.
“It will remain as a permanent reminder of man’s aspirations for peace through understanding, and a symbol of his achievements in an expanding universe. Unisphere is truly the miracle in the meadow.”
Cindy wore a mid-Edwardian dress she made herself. I wore my 1912 tea/luncheon gown (made by Tracie) and the 1911ish “Lunardi revival” hat I’d put together for the GBACG “My Fair Lady” event last August.
A new gown! Or is it? Actually, it’s a new variation on an old theme of mine: Winona Ryder’s Newport archery ensemble from Martin Scorsese’s 1993 Age of Innocence adaptation.
The ensemble is fiercely cute, with little faux pannier-looking things radiating out over the hips from a shirred panel on the skirtfront and layers of eyelet ruffles cascading down the skirt. It’s a little reminiscent of the gown on the left in this French fashion plate from the early 1880s:
My friend Tracie Arnold of Past & Present Creations made the fresh iteration of my original, beloved version of this gorgeous natural-form era ivy dress. The first dress – constructed by Victoria Riddenour, hand-embroidered by me, and photographed beautifully by Lani Teshima – had become too small to even THINK about wearing.
I wore the new ensemble to San Juan Capistrano on Halloween weekend, where my pal Cindy and I had tea and generally caroused around the old town area. Cindy wore a beautiful, embroidered black velvet ball gown that she’d made for Bat’s Day.
Outfit notes: The straw skimmer is a Victoria Riddenour original. My corset is Denise Nadine‘s late Victorian “Nettie” style. I made the combination undergarment (which you can’t see) from Truly Victorian’s 1876 combination pattern (TV105). My garnet earrings are from Lacis.