Marilee did the fabulous early 1960s makeup and hair (and lent me those awesome vintage earrings!), and I supplied my own clothes and vintage copy of the magazine. The playmate necklace (crystal pave bunny head) is a cheapie I got years ago on Ebay, the velvet dress is the olive green velvet Starlet Wiggle from the Vixen line by Micheline Pitt, and the shoes are my old reliable Christian Louboutin Piou-Piou patent stiletto pumps.
I was basically channeling one of my old Vampire: the Masquerade LARP characters, a dancer from Clan Toreador whom I named Lily after Lily Bart in Edith Wharton’s House of Mirth. Marilee did some very romantic Rachael-from-Blade-Runner-ish hair and makeup, and I wore one of my “Elisabeth” dressing gowns from Catherine D’Lish, a black lace bodysuit from Torrid, garter belt and stockings by What Katie Did, and a pair of signed Manolo Blahnik Campari pumps I got third-hand for like $35. Oh, and the fangs are one of two great custom pairs I got from Kaos Kustom Fangs.
I always tell people that my basic style descends from a combination of Bettie Page (e.g. the bangs), film costume designer Edith Head (e.g. bangs, Mexican and gypsy skirts), and artist Mary Blair. It’s an odd mix, but it begins to make sense if you know me fairly well and think on it for a few moments. You may be aware that my signature hair accessory is a black grosgrain ribbon, something I picked up years ago from photos of Blair. I’m also a huge fan of the colors and shapes she incorporated into her artwork and designs for everything from Disney films and theme park attractions (It’s a Small World!) to advertisements to fashion.
I wasn’t sure what to expect when Pinup Girl Clothing announced that they would be adapting some of Blair’s (non-Disney, of course) art to fabrics for a special “Magic of Mary Blair” collection, but I ended up ordering and enjoying several of the pieces. Most items from the collection are existing Pinup Girl Clothing staple pieces, like the popular gathered Jenny skirt and Ella dress, that feature commercial illustrations by Blair. Some of the art comes from textile prints (like the parasols) and others from things like advertisements (e.g. the kittens). They are all constructed from PUG’s favorite cotton sateen fabrics, which look and wear well in casual settings. Continue reading “Fashion & Style Influences: Mary Blair at Pinup Girl Clothing”
Not long ago I got a very pleasant note from the people who run Sin in Linen, a Seattle-based home textiles company inspired by vintage, pinup, rockabilly, punk, tattoo, gothic, and related aesthetics. Since 2004, owner Sandy Glaze has offered bedding, kitchen goods, and bathroom decor suiting a variety of alternative tastes.
From their main line, you can choose sheet sets, duvet covers, curtains, baby bedding, aprons, oven mitts, and other useful home items in a variety of exclusive fabrics. They kindly sent me one of their signature kitchen aprons and an oven mitt and potholder set in the mid-century modern-inspired “Atomic Dreams” print, a fabric specially designed for them by artist Ragnar of Ragnarama.
I just received a vintage 1950s suntop in deadstock condition, so naturally I had to wear it out right away. I wore it to tea with my philodendron-motif vintage Mexican skirt, huge lucite bracelets, and Vivien of Holloway 3-inch stretch belt!
The top is made of a slightly-stretchy black poplin, with a ruched back and buttons down the front. The seams are all pinked (zigzag cut edges) to keep them from fraying. This was how they finished seams in the days before prolific serging. Until about 1964, seam sergers weren’t common.
Very cute, but also cool on hot days like today. Yeah, leave it to us to pay to drink hot liquids on a 100F+ day!