Old Hollywood glamor pinup for the holidays!

Me by Missy
Me by Missy

Last year, Missy of Miss Missy Photography and I put together some beautiful old Hollywood-inspired images. I’ve posted at least one already, but there are more that I’ve saved for a special occasion like this one. As the Christmas season is rapidly approaching, I thought I’d share these festive images.

We chose poses and lighting to emulate various movie star shoots from the 1930s and 1940s by Hollywood glamor photographer George Hurrell, which turned out rather well. I’m always happy with the inspiration and professionalism Missy brings to her work, as it shows in the finished products! More photos after the jump! Continue reading “Old Hollywood glamor pinup for the holidays!”

Fashion & Style Influences: Mary Blair at Pinup Girl Clothing

Mary Blair train border print skirt
Mary Blair train border print skirt.

I always tell people that my basic style descends from a combination of Bettie Page (e.g. the bangs), film costume designer Edith Head (e.g. bangs, Mexican and gypsy skirts), and artist Mary Blair. It’s an odd mix, but it begins to make sense if you know me fairly well and think on it for a few moments. You may be aware that my signature hair accessory is a black grosgrain ribbon, something I picked up years ago from photos of Blair. I’m also a huge fan of the colors and shapes she incorporated into her artwork and designs for everything from Disney films and theme park attractions (It’s a Small World!) to advertisements to fashion.

Mary Blair at work
Mary Blair at work, with pony tail and bangs.

I wasn’t sure what to expect when Pinup Girl Clothing announced that they would be adapting some of Blair’s (non-Disney, of course) art to fabrics for a special “Magic of Mary Blair” collection, but I ended up ordering and enjoying several of the pieces. Most items from the collection are existing Pinup Girl Clothing staple pieces, like the popular gathered Jenny skirt and Ella dress, that feature commercial illustrations by Blair. Some of the art comes from textile prints (like the parasols) and others from things like advertisements (e.g. the kittens). They are all constructed from PUG’s favorite cotton sateen fabrics, which look and wear well in casual settings. Continue reading “Fashion & Style Influences: Mary Blair at Pinup Girl Clothing”

Style influences: Piero Gherardi and Anita Ekberg, La Dolce Vita

Like most people, I get my style cues from so many different sources I can’t keep track of them all. More, I’m sure a huge proportion of my influences are so subliminal I couldn’t articulate them if I wanted to. That said, the spirit of self-exploration has taken hold and inspired me to try. So with that, I’m presenting my first style influences. Not the first in the chronological sense of my life, but the first I’m bringing to the blog: Piero Gherardi – art, set, and costume designer for many of Federico Fellini’s iconic films – and the luminous Anita Ekberg, one of the talented female stars of my favorite Fellini, La Dolce Vita (1960).

Sylvia's Fountain Dress from La Dolce Vita at a Cinecitta exhibition on Fellini. Photo by Cassia Afini via Wikimedia.
Sylvia’s Fountain Dress from La Dolce Vita at a Cinecitta exhibition on Fellini. Photo by Cassia Afini via Wikimedia.

Since Ekberg just passed away, she’s a logical first choice. The designs that she – and everyone else in La Dolce Vita – wore also happen to be some of my favorite clothes ever. Her strapless velvet gown from the famous Baths of Caracalla and Trevi Fountain scenes is legendary, but I’d love it even if it were 1/1,000,000th as famous as it is. With its sweetheart neckline, carefully-engineered bodice, and sweeping, diaphanous silk underlayers, it’s truly a dream dress. The way Ekberg whirls through the Caracalla scene, it’s almost like the dress has taken on a life of its own.

Sylvia dances at the Baths of Caracalla in La Dolce Vita
Sylvia dances at the Baths of Caracalla in La Dolce Vita.

My other favorite Ekberg ensemble from the film includes the off-shoulder, v-neck lace top her character, Sylvia, wears during the press suite scene soon after her arrival in Rome. It’s perfect – just the right balance of structure and femininity, balanced delicately on the pinnacle fulcrum of the best fashion era that ever was or will be – the late 1950s and early 1960s.

Sylvia's lace top
Sylvia’s lace top

It helps that Ekberg didn’t have a standard body. While not exactly plus, she had bigger curves than the average actress and looked amazing. This inspired me, as a girl who is nothing if not curvy.