There’s another trailer for the 2020 Emma Jane Austen adaptation…
So The latest film adaptation of Jane Austen’s Emma is coming in early 2020, set to release in the US and UK in February…
Just some housekeeping, to keep the Emma update feed complete…
- As of fall, 2018, a new historical adaptation of Emma and a remake of Clueless are planned. The Emma adaptation is set to star Anya Taylor-Joy. It’ll be directed by Autumn de Wilde with a screenplay by Eleanor Catton. The Clueless remake is coming from Paramount, producer Tracy Oliver, and writer Marquita Robinson.
- Clueless, the musical is coming to NYC in November, 2018! According to the press release: “Screenwriter and director for the film, Amy Heckerling is bringing Cher and the gang back to life with the help of The New Group, an off-Broadway theater company.” Original Clueless director Amy Heckerling says, “It’s a jukebox musical. IIt’s as if the ’90s was one year, and we’re taking songs from the ’90s and playing with the lyrics to make them tell the story. We just had a sing-through/read-through the other day, and it went really well. They’re just wonderful young actors. A lot of them are coming [to the retrospective].”
- A new Clueless musical?
- A Clueless comic book
It’s hard to believe that December will mark the 200th anniversary of Emma‘s publication. The recent lead up’s been pretty interesting, including a modern retelling of the novel by Alexander McCall Smith and Pemberley Digital’s multimedia Emma Approved adaptation, which wrapped last year. Various organizations, including the Bay Area English Regency Society in the San Francisco Bay Area, are organizing celebrations commemorating the event. Even though it’s not popular on the same level as, say, Pride & Prejudice, people love Emma because it has a little something for everyone.
Before writing Emma, Jane Austen once expressed, “I am going to take a heroine whom no-one but myself will much like” (James Edward Austen-Leigh’s Memoir of Jane Austen, p. 158). Most believe that the author was at least half-joking when she said this, as Emma Woodhouse is often a great favorite among readers. The character aside, however, the story itself is simply brilliant. Part romance, part comedy, part drama, and part “detective novel,” adapters for stage and screen have lots of choice when it comes to direction and focus. If the depth and texture of the novel has a limitation, it’s in the fact that most adaptations can’t do justice to everything it offers (not even the long miniseries versions).
Jane Austen wrote Emma over the period encompassing January 21, 1814 – March 29, 1815. At his request, she dedicated Emma to her most high-profile fan, the Prince Regent. This is a bit strange, considering that she didn’t care much for him, his conduct towards his wife, or his personality in general. He received a special first edition of the novel (one of twelve “presentation” copies issued by the publisher), in three volumes, which is kept at the Royal Library at Windsor Castle. For more on the presentation edition, see this description of Anne Sharp’s copy (Bonhams auction site). Novelist Maria Edgeworth – a favorite of Austen’s – also apparently received a presentation copy of the novel.
First published in December, 1815 (though the frontispiece is dated 1816) by John Murray, Emma was the last work Austen lived to see released. The first edition consisted of 2000 copies. Oddly, the book did not sell well, so the second printing/edition didn’t happen until 1833. For more information on the initial publication of the novel, look here. You will also find opinions on the novel from Austen’s friends and family right here.
For more on Jane Austen’s Emma and its various media adaptations, visit the Emma Adaptations Pages.
Before the 2009-2010 BBC Emma miniseries came out – and before I’d even started this blog – my friends Vic and Laurel Ann of Jane Austen Today kindly asked me to do a quick piece about costuming in the three previous major adaptations of the novel: the 1971 BBC tv miniseries starring Dorin Godwin, the 1996 Miramax theatrical release starring Gwyneth Paltrow, and the 1996-1997 A&E/ITV movie starring Kate Beckinsale.
It’s based on a previous article on Emma costuming I prepared for Ellie Farrell’s excellent Celluloid Wrappers site, which is dedicated to film costume. Eventually, I’ll be adding a section on the Romola Garai Emma to that article.
Katherine of November’s Autumn recently sent me the following information regarding Jane Fairfax’s “Italian Melody” (by Rossini) in Emma 3 (1996 Meridian/ITV/A&E television adaptation starring Kate Beckinsale):
I was browsing through the music page of your Emma adaptations site and noticed that the song Jane Fairfax sings in Emma 3 is marked as an Italian melody. I recently learned it’s called “Mi lagnerÃ² tacendo” The lyrics are:
Miï»¿ lagnerÃ² tacendo della mia sorte amara, ah! Ma ch’io non t’ami, o cara, non lo sperar da me. Crudel, farmi penar cosÃ¬, crudel! Ah! Mi lagnerÃ² tacendo della mia sorte amara, Ma ch’io non t’ami, o cara, non lo sperar da me, crudel!
Cecilia Bartoli sings it here: http://www.youtube.com/watch?v=hen9Gyc6ovs The part Jane sings is at 3:15. It sounds different since Jane’s version is far less operatic.
THANK YOU, Katherine, for providing this info!
He’s 36, people. And Mr. Knightley, according to Miss Austen, is “a sensible man of about seven or eight-and-thirty.” Further, Dude’s a very youthful 37 or 38:
“His tall, firm, upright figure, among the bulky forms and stooping shoulders of the elderly men, was such as Emma felt must draw everybody’s eyes; and, excepting her own partner [Frank], there was not one among the whole row of young men who could be compared with him. He moved a few steps nearer, and those few steps were enough to prove how gentlemanlike a manner, with what natural grace, he must have danced, would he but take the trouble.” (At the Crown In Ball.)