1805-ish Regency Gown based on the one at Kyoto Costume Institute

So my friend Elizabeth and I recently attended a Persuasion-themed Jane Austen picnic sponsored by The Greater Bay Area Costumers’ Guild. It was an excuse to wear Regency, and in particular to acquire a copy of the beautiful gold Regency gown in the Kyoto Costume Institute collection.

My outfit
Gold silk 1805-ish Regency gown with beret and red silk spencer. I love my pineapple reticule!

More pics and info after the jump…

Continue reading “1805-ish Regency Gown based on the one at Kyoto Costume Institute”

I finally saw the new Emma – my initial thoughts, and…it’s coming to DVD & Blu-Ray on May 19! Order now!

So I finally got around to seeing the new Emma, starring Anya Taylor-Joy, and it was pretty good. You can stream it now, or pre-order it on Blu-Ray or DVD, both of which will drop on May 19:

So what did I think, exactly? Read on to find out…

Continue reading “I finally saw the new Emma – my initial thoughts, and…it’s coming to DVD & Blu-Ray on May 19! Order now!”

A new Regency gown!

Thanks to my friend Elizabeth, I now have a new Regency gown – a full day dress ensemble – that fits! She asked me to be her model for a Regency fashion lecture at Modesto’s Jane Austen-themed JaneCon, and I agreed! She kindly made me the entire ensemble for the cost of materials and washing/ironing labor, and I couldn’t be happier. It’s a good thing she loves to sew, because I sure don’t! I do love paying my friends, or doing them favors, in exchange for beautiful clothes! The look and fit is just perfect.

Me in mushroom hat/beret, fichu and spencer jacket
Me in mushroom hat/beret, fichu and spencer jacket. Regency makeup is weird but surprisingly effective – you use burnt cloves to fill in your brows and liquid/pomade consistency lip and cheek products.
Me, Elizabeth in our ensembles for the day
I’m on the left, Elizabeth’s on the right. She made us look good.

The outfit consists of an 1805-ish gown made from a block-printed almost-sheer cotton muslin from Renaissance Fabrics. It’s the first front-opening Regency gown I’ve had, as my other, smaller gowns were all of the slightly later frock (back buttons) variety. Since this gown has a bib front that pins in place, it’s taken a bit of getting used to. I think eventually I’ll add period-incorrect snaps and ties to help keep it in place so I won’t stab myself or flash anybody by accident. Continue reading “A new Regency gown!”

Emma 2020: Filming locations

Emma 2020 Poster
Emma 2020 poster

The Guardian recently presented a list of UK filming locations that are open to visitors, including some of the spots featured in the upcoming adaptation of Jane Austen’s Emma.

  • Firle Estate in Lewes, South Downs National Park, is the Woodhouses’ Hartfield.
  • Kingston Bagpuize House in Abingdon, Oxfordshire, was the location for Mrs. Goddard’s school. 
  • Chavenage House in Tetbury, Gloucestershire, stands in for the Westons’ Randalls AND the Bates’ second-floor apartments.
  • Wilton House in Salisbury is Mr. Knightley’s Donwell Abbey. Wilton House crops up in a ton of period films and television shows. Portions of the 2005 Pride & Prejudice and 1995 Sense & Sensibility adaptations were filmed there (the ball scenes during which Marianne confronts Willoughby). The house’s famous Single and Double Cube rooms are well known as the secret planning locations for World War II’s famous D Day invasion. I’ve been here, and the house and grounds are well worth a visit.
  • Wrotham Park in Hertfordshire stands in for the Coles’ party location.
  • Leith Hill, Dorking, Surrey, stands in for Box Hill, the famous picnic scene location from the novel.
  • Lower Slaughter, a village in the Cotswolds, stands in for Highbury. I’ve been here, too. Seems like every Cotswolds village is picturesque and charming in its own way.
  • All Saint’s Church in St. Paul’s Walden Village, Hertfordshire, stands in for Highbury’s local church.

More on Emma‘s filming locations…

I’m back with midcentury home furnishings: Oceanic Arts lamps, Joybird, and my grandmother’s Heywood Wakefield

2017 was the year I finally replaced my old Ikea sofa with some midcentury fabulous Joybird reproduction furniture (I loved that Ikea sofa – it just wasn’t me anymore) and realized my dream of some SWEET OCEANIC ARTS LAMPS! In bittersweet news, our beloved family realtor and friend Florence Trelford passed away, leaving me the Heywood Wakefield bookcase and  round coffee table that had previously belonged to my grandmother.

Yiayia's Heywood Wakefield bookcase and table
Yiayia’s Heywood Wakefield bookcase and table. Thank you to Mrs. Trelford and Linda for bringing me back together with these beauties!

Continue reading “I’m back with midcentury home furnishings: Oceanic Arts lamps, Joybird, and my grandmother’s Heywood Wakefield”

Tiki, vintage Shaheen, and pinup with Holly West

So I have fun tiki-themed pinup photos by Holly West Photography to share, this time from Skipper World Headquarters.

The Skippers have added a beautiful tiki lounge to their home, complete with huts, outrigger canoes, a bar, and a swanky seating area. It went perfectly with my vintage Alfred Shaheen bombax print dress, bakelite tribal necklace, and Dixiefried leopard-print Glamor swimsuit. The lovely and talented Rockwell DeVil did my makeup and hair.

Kali in Shaheen, with parasol. This sounds like one of those super-literal impressionist painting titles.

More photos after the jump!

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Fashion & Style Influences: Mary Blair at Pinup Girl Clothing

Mary Blair train border print skirt
Mary Blair train border print skirt.

I always tell people that my basic style descends from a combination of Bettie Page (e.g. the bangs), film costume designer Edith Head (e.g. bangs, Mexican and gypsy skirts), and artist Mary Blair. It’s an odd mix, but it begins to make sense if you know me fairly well and think on it for a few moments. You may be aware that my signature hair accessory is a black grosgrain ribbon, something I picked up years ago from photos of Blair. I’m also a huge fan of the colors and shapes she incorporated into her artwork and designs for everything from Disney films and theme park attractions (It’s a Small World!) to advertisements to fashion.

Mary Blair at work
Mary Blair at work, with pony tail and bangs.

I wasn’t sure what to expect when Pinup Girl Clothing announced that they would be adapting some of Blair’s (non-Disney, of course) art to fabrics for a special “Magic of Mary Blair” collection, but I ended up ordering and enjoying several of the pieces. Most items from the collection are existing Pinup Girl Clothing staple pieces, like the popular gathered Jenny skirt and Ella dress, that feature commercial illustrations by Blair. Some of the art comes from textile prints (like the parasols) and others from things like advertisements (e.g. the kittens). They are all constructed from PUG’s favorite cotton sateen fabrics, which look and wear well in casual settings. Continue reading “Fashion & Style Influences: Mary Blair at Pinup Girl Clothing”

Jane Austen’s Emma is almost 200!

Gwyneth Paltrow as Emma
Gwyneth Paltrow as Emma (1996 Miramax adaptation).

It’s hard to believe that December will mark the 200th anniversary of Emma‘s publication. The recent lead up’s been pretty interesting, including a modern retelling of the novel by Alexander McCall Smith and Pemberley Digital’s multimedia Emma Approved adaptation, which wrapped last year. Various organizations, including the Bay Area English Regency Society in the San Francisco Bay Area, are organizing celebrations commemorating the event. Even though it’s not popular on the same level as, say, Pride & Prejudice, people love Emma because it has a little something for everyone.

Before writing Emma, Jane Austen once expressed, “I am going to take a heroine whom no-one but myself will much like” (James Edward Austen-Leigh’s Memoir of Jane Austen, p. 158). Most believe that the author was at least half-joking when she said this, as Emma Woodhouse is often a great favorite among readers. The character aside, however, the story itself is simply brilliant. Part romance, part comedy, part drama, and part “detective novel,” adapters for stage and screen have lots of choice when it comes to direction and focus. If the depth and texture of the novel has a limitation, it’s in the fact that most adaptations can’t do justice to everything it offers (not even the long miniseries versions).

Jane Austen wrote Emma over the period encompassing January 21, 1814 – March 29, 1815. At his request, she dedicated Emma to her most high-profile fan, the Prince Regent. This is a bit strange, considering that she didn’t care much for him, his conduct towards his wife, or his personality in general. He received a special first edition of the novel (one of twelve “presentation” copies issued by the publisher), in three volumes, which is kept at the Royal Library at Windsor Castle. For more on the presentation edition, see this description of Anne Sharp’s copy (Bonhams auction site). Novelist Maria Edgeworth – a favorite of Austen’s – also apparently received a presentation copy of the novel.

First published in December, 1815 (though the frontispiece is dated 1816) by John Murray, Emma was the last work Austen lived to see released. The first edition consisted of 2000 copies. Oddly, the book did not sell well, so the second printing/edition didn’t happen until 1833. For more information on the initial publication of the novel, look here. You will also find opinions on the novel from Austen’s friends and family right here.

For more on Jane Austen’s Emma and its various media adaptations, visit the Emma Adaptations Pages.