Thanks to my friend Elizabeth, I now have a new Regency gown – a full day dress ensemble – that fits! She asked me to be her model for a Regency fashion lecture at Modesto’s Jane Austen-themed JaneCon, and I agreed! She kindly made me the entire ensemble for the cost of materials and washing/ironing labor, and I couldn’t be happier. It’s a good thing she loves to sew, because I sure don’t! I do love paying my friends, or doing them favors, in exchange for beautiful clothes! The look and fit is just perfect.
The outfit consists of an 1805-ish gown made from a block-printed almost-sheer cotton muslin from Renaissance Fabrics. It’s the first front-opening Regency gown I’ve had, as my other, smaller gowns were all of the slightly later frock (back buttons) variety. Since this gown has a bib front that pins in place, it’s taken a bit of getting used to. I think eventually I’ll add period-incorrect snaps and ties to help keep it in place so I won’t stab myself or flash anybody by accident. Continue reading “A new Regency gown!”
So I have fun tiki-themed pinup photos by Holly West Photography to share, this time from Skipper World Headquarters.
The Skippers have added a beautiful tiki lounge to their home, complete with huts, outrigger canoes, a bar, and a swanky seating area. It went perfectly with my vintage Alfred Shaheen bombax print dress, bakelite tribal necklace, and Dixiefried leopard-print Glamor swimsuit. The lovely and talented Rockwell DeVil did my makeup and hair.
I haven’t been as bloggy as I would have liked this year. Part of that is due to the fact that I just haven’t been feeling well. I’ve been dealing with chronic eustachian tube dysfunction since December of 2015 (it’s supposed to get better, and it has, but I’m not yet back to right). That means it’s been uncomfortable to exercise, which – coupled with the general anxiety that comes from weird ear sounds and bouts of temporary hearing loss (every time I get sick) – means I’ve also gained weight. So, you can see why I haven’t really been motivated to blog a lot of outfits lately.
All that said, I haven’t been completely out of it. I can say that I’ve been using that Anastasia Beverly Hills DipBrow Pomade pot I’d been wanting to try, and I’ve been enjoying it so far. I’ve also been trying some new hair products that I’ll be sharing with you guys in the new year.
I’ll also have some fun tiki-themed pinup photos (by Holly West!) to show you.
So. Even though I may not seem like I’m here, I am and I’d love to chat on Facebook, Twitter, or Instagram. Those links are in the navbar to the left! Stop by and say hi, and have a very Merry Christmas and a Happy New Year! Here’s hoping 2017 is better for all of us, in every way!
I’m a natural brunette with black hair, so I don’t necessarily share the title sentiment of Gentlemen Prefer Blondes, but I do love Marilyn Monroe and enjoy her William Travilla- designed wardrobe from the 1953 film. Recently, Esther of MorningstarPinup on Etsy made me a custom version of the green-top, dark-pants, lavender sash outfit Marilyn’s character, Lorelei Lee, wears in the movie. Continue reading “A Marilyn Monroe-inspired 1950s pants outfit from Gentlemen Prefer Blondes”
Last year, Missy of Miss Missy Photography and I put together some beautiful old Hollywood-inspired images. I’ve posted at least one already, but there are more that I’ve saved for a special occasion like this one. As the Christmas season is rapidly approaching, I thought I’d share these festive images.
We chose poses and lighting to emulate various movie star shoots from the 1930s and 1940s by Hollywood glamor photographer George Hurrell, which turned out rather well. I’m always happy with the inspiration and professionalism Missy brings to her work, as it shows in the finished products! More photos after the jump! Continue reading “Old Hollywood glamor pinup for the holidays!”
I always tell people that my basic style descends from a combination of Bettie Page (e.g. the bangs), film costume designer Edith Head (e.g. bangs, Mexican and gypsy skirts), and artist Mary Blair. It’s an odd mix, but it begins to make sense if you know me fairly well and think on it for a few moments. You may be aware that my signature hair accessory is a black grosgrain ribbon, something I picked up years ago from photos of Blair. I’m also a huge fan of the colors and shapes she incorporated into her artwork and designs for everything from Disney films and theme park attractions (It’s a Small World!) to advertisements to fashion.
I wasn’t sure what to expect when Pinup Girl Clothing announced that they would be adapting some of Blair’s (non-Disney, of course) art to fabrics for a special “Magic of Mary Blair” collection, but I ended up ordering and enjoying several of the pieces. Most items from the collection are existing Pinup Girl Clothing staple pieces, like the popular gathered Jenny skirt and Ella dress, that feature commercial illustrations by Blair. Some of the art comes from textile prints (like the parasols) and others from things like advertisements (e.g. the kittens). They are all constructed from PUG’s favorite cotton sateen fabrics, which look and wear well in casual settings. Continue reading “Fashion & Style Influences: Mary Blair at Pinup Girl Clothing”
Like most people, I get my style cues from so many different sources I can’t keep track of them all. More, I’m sure a huge proportion of my influences are so subliminal I couldn’t articulate them if I wanted to. That said, the spirit of self-exploration has taken hold and inspired me to try. So with that, I’m presenting my first style influences. Not the first in the chronological sense of my life, but the first I’m bringing to the blog: Piero Gherardi – art, set, and costume designer for many of Federico Fellini’s iconic films – and the luminous Anita Ekberg, one of the talented female stars of my favorite Fellini, La Dolce Vita (1960).
Since Ekberg just passed away, she’s a logical first choice. The designs that she – and everyone else in La Dolce Vita – wore also happen to be some of my favorite clothes ever. Her strapless velvet gown from the famous Baths of Caracalla and Trevi Fountain scenes is legendary, but I’d love it even if it were 1/1,000,000th as famous as it is. With its sweetheart neckline, carefully-engineered bodice, and sweeping, diaphanous silk underlayers, it’s truly a dream dress. The way Ekberg whirls through the Caracalla scene, it’s almost like the dress has taken on a life of its own.
My other favorite Ekberg ensemble from the film includes the off-shoulder, v-neck lace top her character, Sylvia, wears during the press suite scene soon after her arrival in Rome. It’s perfect – just the right balance of structure and femininity, balanced delicately on the pinnacle fulcrum of the best fashion era that ever was or will be – the late 1950s and early 1960s.
It helps that Ekberg didn’t have a standard body. While not exactly plus, she had bigger curves than the average actress and looked amazing. This inspired me, as a girl who is nothing if not curvy.