Happy new year! I’ve resolved to spend more time blogging this year, so I’m starting with my New Year’s Eve outfit. After seeing a beautiful mid century-style sari dress by Jeannette Redhead of Redhead’s Vintage on the Ooh La La! Vintage Facebook group, I promptly ordered one.
I’ve always loved the bright blue sari dress worn by Shirley MacLaine in the 1960 classic film Ocean’s Eleven, so it seemed like the perfect opportunity to have one of my own! While we couldn’t find a sari in quite the right blue color, Jeannette did discover several gorgeous color options for me. I picked a rich emerald green with gold accents and she got straight to work. Continue reading “A new mid century-style sari dress for the new year!”
Last year, Missy of Miss Missy Photography and I put together some beautiful old Hollywood-inspired images. I’ve posted at least one already, but there are more that I’ve saved for a special occasion like this one. As the Christmas season is rapidly approaching, I thought I’d share these festive images.
We chose poses and lighting to emulate various movie star shoots from the 1930s and 1940s by Hollywood glamor photographer George Hurrell, which turned out rather well. I’m always happy with the inspiration and professionalism Missy brings to her work, as it shows in the finished products! More photos after the jump! Continue reading “Old Hollywood glamor pinup for the holidays!”
Love: A good fabric, a delightful print. I have found a name, a cartoon character – Miss Frizzle. Except I do not have a magic school bus, or a pet iguana on my shoulder. I am a high school English teacher with three cats, The Empurress Velvet, and the boys, the bards of meow who purr in iambic pentameter – William Shakespurr and Mister Edgar Allan Paw. One of my students asked me today if the print on my dress was sushi? The print is not sushi, it is Mary Blair’s kittens drinking from a bowl. Honestly, I wish I had gone down a size in this dress, but with a belt and a camisole it works. The belt it came with it didn’t have any grommets so I went instead with a wide buckled patton leather belt and an old Betsey Johsnon capped sleeve cropped sweater with little pom-pom ties at the top. Honestly, between the pom-poms and the kittens, good grief. However, on a Friday before a three day weekend I need pom poms and Mary Blair’s kittens. Shakespurr eyed the pom-poms when I got dressed. “Forget about it,” I told him. Though Velvet is the one who has been known to attack pom-poms: many years ago I had a poncho with the most adorable pom-poms, until…..
I always tell people that my basic style descends from a combination of Bettie Page (e.g. the bangs), film costume designer Edith Head (e.g. bangs, Mexican and gypsy skirts), and artist Mary Blair. It’s an odd mix, but it begins to make sense if you know me fairly well and think on it for a few moments. You may be aware that my signature hair accessory is a black grosgrain ribbon, something I picked up years ago from photos of Blair. I’m also a huge fan of the colors and shapes she incorporated into her artwork and designs for everything from Disney films and theme park attractions (It’s a Small World!) to advertisements to fashion.
I wasn’t sure what to expect when Pinup Girl Clothing announced that they would be adapting some of Blair’s (non-Disney, of course) art to fabrics for a special “Magic of Mary Blair” collection, but I ended up ordering and enjoying several of the pieces. Most items from the collection are existing Pinup Girl Clothing staple pieces, like the popular gathered Jenny skirt and Ella dress, that feature commercial illustrations by Blair. Some of the art comes from textile prints (like the parasols) and others from things like advertisements (e.g. the kittens). They are all constructed from PUG’s favorite cotton sateen fabrics, which look and wear well in casual settings. Continue reading “Fashion & Style Influences: Mary Blair at Pinup Girl Clothing”
Summer school is over and I finally have some time to blog pose for oversaturated selfies! Because hot summer weather lasts forever until November here in my part of NorCal, I figured it was time to bust out some of my recent purchases.
After a massive restoration conducted in the late 1990s and early 2000s, this gorgeous 1930 theater is a clean, bright, luminous connection to an earlier time. While you might see anyone from George Lopez to Tony Bennett headlining at the Fox, the best attractions are the ones that offer the visitor a connection to the theater’s roots as a mid 20th century movie palace – the monthly Friends of the Fox classic movie events featuring concerts on the 1928 Robert Morton theater organ!
Click for more Fox Theater and more outfit pictures!
I don’t really watch the Academy Awards for the films, the artists, or even the fashion. I watch it for the excitement and the feeling of impending springtime it’s come to represent. It really is a show that brings more than the sum of its parts! In honor of the season, I’m bringing you some of my favorite fancy, mid century vintage gowns, all in spring pinks and greens.
Like most people, I get my style cues from so many different sources I can’t keep track of them all. More, I’m sure a huge proportion of my influences are so subliminal I couldn’t articulate them if I wanted to. That said, the spirit of self-exploration has taken hold and inspired me to try. So with that, I’m presenting my first style influences. Not the first in the chronological sense of my life, but the first I’m bringing to the blog: Piero Gherardi – art, set, and costume designer for many of Federico Fellini’s iconic films – and the luminous Anita Ekberg, one of the talented female stars of my favorite Fellini, La Dolce Vita (1960).
Since Ekberg just passed away, she’s a logical first choice. The designs that she – and everyone else in La Dolce Vita – wore also happen to be some of my favorite clothes ever. Her strapless velvet gown from the famous Baths of Caracalla and Trevi Fountain scenes is legendary, but I’d love it even if it were 1/1,000,000th as famous as it is. With its sweetheart neckline, carefully-engineered bodice, and sweeping, diaphanous silk underlayers, it’s truly a dream dress. The way Ekberg whirls through the Caracalla scene, it’s almost like the dress has taken on a life of its own.
My other favorite Ekberg ensemble from the film includes the off-shoulder, v-neck lace top her character, Sylvia, wears during the press suite scene soon after her arrival in Rome. It’s perfect – just the right balance of structure and femininity, balanced delicately on the pinnacle fulcrum of the best fashion era that ever was or will be – the late 1950s and early 1960s.
It helps that Ekberg didn’t have a standard body. While not exactly plus, she had bigger curves than the average actress and looked amazing. This inspired me, as a girl who is nothing if not curvy.